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Editorial Reviews
From Library Journal
Both of these heavily illustrated books look at two less celebrated sections of the Disney empire, and the rare artwork that both contain is their strongest asset. Canemaker’s book is on the people who created preliminary sketches “that explore the visual possibilities in a literary property.” These possibilities for any proposed cartoon include the visual style of the film, how the characters will look, the way a major scene could be portrayed, and so on. Specific sketch artists have put their individual stamp on the entire look of the finished film in such cases as Sleeping Beauty, Bambi, and Night on Bald Mountain. In addition, they have created memorable minor characters, such as Pocahontas’s raccoon pal and Beauty and the Beast’s Mrs. Potts. Canemaker primarily concentrates on the feature-length cartoons, and he gives special attention to Fantasia. By chronologically examining the life and work of the significant sketch artists, he ably demonstrates their contributions. An interesting look at a neglected aspect of the Disney films. With a combination of imagination and engineering skill, the Imagineers create all elements of the Disney theme parks, from the rides, attractions, shops, and restaurants to the signs, light fixtures, trash cans, and landscaping. Starting with Disneyland and continuing up to the present day, this book attempts to show how “imagineering” created so many memorable experiences. Even with the aid of copious illustrations?never-before-seen artwork from the Imagineering Division’s own files?the act of imaginative creation is difficult to re-create, and this work doesn’t completely succeed in showing how the Imagineers brought their creations into being. It is further hampered by a once-over-lightly writing style. But that is a minor quibble in what for the most part is a fascinating before-the-curtain-rises look at the Disney theme parks. Both books are highly recommended for academic and larger public libraries.?Marianne Cawley, Enoch Pratt Free Lib., Baltimore
Copyright 1996 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title.
From Booklist
“Imagineering” is a coinage of the Disney corporation that denotes the combination of imagination and engineering it employs to create the attractions in its theme parks. This big, lavish artbook spans four decades of imagineering, from the relatively unsophisticated rides, such as Main Street U.S.A. and the Matterhorn, with which Disneyland opened in 1959, to the high-tech, special effects^-inspired rides at Disney-MGM Studios (many concepts that never got off the drawing board also appear). It takes readers through the entire imagineering process, from original idea, through blueprints and scale models, to actual construction–all illustrated by hundreds of concept sketches, character designs, architectural drawings, and other artwork. It goes to show: the Disney crew puts impressive effort into providing simple fun for tourists. Chock-full of the behind-the-scenes info and trivia Disney fans love, the book is a fascinating display of state-of-the-art theme park development and stimulating incitement for Disney-bound vacationers who want more than travel guides will give them. Gordon Flagg –This text refers to an out of print or unavailable edition of this title.
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admin
04月 30th, 2008 at 1:04 am
By Anthony M. Testani “mygotta” (San Diego, CA United States)
The Imagineers, who have been put together by Walt Disney himself from his staff of animators, put their imagination and engineering expertise to work, making their movies in three-dimension. Anyone who visits Disney World, Florida will immediately note that not a detail gets by them where there is no cultural or graphic response to the scenery. All parts are integral, and the Imagineers recognize this. Some of the most wonderful aspects of their work is in the smallest detail, so as not to stand out, instead, it blends into the environment (like it should). The book is set up into parts of the varying departments of the Imagineers, in the stages in which they prepare a project. Like Ollie Johnston and Frank Thomas’ book ‘The Illusion of Life’ they do not fail to recognize good work from a particular artist. Even here, in the lesser known trait of architecture and engineering, the names are noted as any famous artist, which is refreshing and respectable for the artists in their own respective fields to be continually influenced by their peers. A wonderful book that is easy to read, does not burden the reader with too much technical jargon, and easy to appreciate the many pictures of their work. Certainly Disney enthusiasts will enjoy this book, as well as a prospective Imagineer.
admin
04月 30th, 2008 at 1:06 am
By Seano “seanob” (Quincy, Massachusetts USA)
This is a great book. Be sure to put this book somewhere you can frequently refer to it. I’ve found it fun to look at the images and the sketches over and over again. The paperback format is large, and I get nervous when I spread the book binding to view the illustrations. I hope it stands up to heavy use. Now, remember who wrote the book and accept the company line. However, this is a book that speaks to the traditions of creativity and imagination…while entertaining at the same time. Solid writing style, easy to pick up and put down.
admin
04月 30th, 2008 at 1:07 am
By J. Fristrom (www.gamedevblog.com)
This is just a PR piece for the Disney company, a way to build hype so more people will buy their products and see their shows. I was hoping for some nuts & bolts advice on designing theme parks and theme park rides. Everybody knows how to brainstorm; everybody knows the importance of color and lighting and music; everybody models on computers before they make physical models. What do Imagineers do that’s different? Do they have special techniques for brainstorming, or for choosing colors, or stage lighting? The answers are not here. Also, what have Imagineers learned from their mistakes? If you take this book at face value, Imagineers have never made mistakes; everything they’ve done is perfect, and any criticism leveled at Walt Disney world was later retracted or countered.